TL;DR
Designer and writer Fatih Arslan published a tour of the lamps in his home on Oct. 5, 2026, describing designs by Artemide, Isamu Noguchi, Louis Poulsen and others. The report is a personal collection feature, not a product launch or industry announcement; Arslan says the lamps are expensive and frames them as collecting objects as well as sources of light.
Arslan says he often shares lamps on X and Instagram, where people ask him about their brands and models. His report presents the collection in no particular order, with photographs taken in his house. He also says he has designed a lamp himself, although the article does not describe that design in detail.
The pieces include the Artemide Tolomeo Mini, designed by Michele De Lucchi and Giancarlo Fassina in 1987, and a Tizio Micro, the smaller version of Richard Sapper’s adjustable Tizio design from 1972. Arslan describes the Tolomeo as practical for a work desk and says he made an adaptor to attach his to a USM Haller desk. The Tizio uses counterweights to hold its position, and its arms conduct electricity, avoiding wires running along them.
Several lamps in the report belong to Isamu Noguchi’s Akari series: the 1A, 3A, 16A and 75A. Arslan says the 1A was bought secondhand in Germany, while he uses the larger 75A in his office. He describes the 3A as better suited to a low table or cabinet than a floor or ordinary desk. He also notes that the Akari shades are made from washi paper and says the series continues to be handmade at Ozeki, a family-run workshop in Gifu, Japan.
The collection also includes two designs by Poul Henningsen: the Louis Poulsen PH 5, introduced in 1958, and the PH 3/2, part of Henningsen’s three-shade lighting system. Arslan says the PH 3/2’s mouth-blown glass shade broke accidentally and took months to replace. He also describes an AJ Wall Lamp, designed by Arne Jacobsen for Copenhagen’s SAS Royal Hotel in 1957, which can be tilted to direct its light.
Collecting Beyond Basic Lighting
The report gives readers a firsthand account of the difference between buying a lamp for illumination and collecting a design object. Arslan says the lamps are not cheap and concedes that they may not be worth their prices on practical grounds, while saying they are worth it to him as a collector. That distinction helps explain why design provenance, materials and form can matter as much as the amount of light a product provides.
His descriptions also point to practical trade-offs. The Noguchi lamps provide soft light through paper shades, while the PH designs use multiple shades to reduce direct views of the bulb. The delicate glass of the PH 3/2, by contrast, can require careful handling and a lengthy replacement wait. These are Arslan’s experiences and judgments, not independent performance tests or price comparisons.
For readers interested in the designs but not their cost, Arslan notes that similar-looking lamps are sold by IKEA and other companies, and that vintage shops and fairs may offer the featured models at lower prices. He does not provide prices, specific retailer listings or a direct comparison of quality, so the report is best read as a collection tour rather than buying advice.
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Design Histories Behind the Lamps
Arslan situates the lamps within a longer history of modern product and lighting design. The Tolomeo received the Compasso d’Oro in 1989, according to his report, and he calls it one of the most copied desk-lamp designs. Sapper’s Tizio grew from his desire for a better desk lamp and reflects a functional approach: balanced arms can be repositioned without visible cables running along them.
Noguchi began the Akari series in 1951 after visiting Gifu, known for its paper lanterns, Arslan writes. He says Noguchi designed more than 100 Akari models. The report describes the lamps as both lighting and sculpture, with the name “Akari” referring to light as illumination and as lightness. Arslan says authentic examples carry a red sun-and-moon stamp.
Henningsen developed the three-shade system in 1925, according to the report; the PH 5 followed in 1958. Arslan connects his own interest in that model to seeing it in the Danish film Another Round and later in designer Dieter Rams’ home. Jacobsen’s AJ lamp, meanwhile, was created for the SAS Royal Hotel, a project in which he designed elements ranging from furnishings to cutlery.
““At a certain point, it becomes more like collecting, and collecting things is very different from just having a lamp to illuminate a room.””
— Fatih Arslan
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Prices and Comparisons Remain Unspecified
The report does not state what Arslan paid for the lamps, give current retail prices, or compare specific alternatives by performance, materials or durability. Its description of cheaper designs as costing “maybe a tenth of the price” is Arslan’s broad estimate; no baseline models or price data are supplied.
Some historical and production details are presented by Arslan without citations within the report. This article reflects his account and does not independently verify the award history, workshop practices, authenticity marks or availability of the models. The report also does not set out a complete inventory of his collection: it is a tour of selected pieces, and the description of the AJ wall lamp ends while discussing how he directs it.
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No Further Announcement Is Given
Arslan’s report does not announce a product release, exhibition, sale or follow-up event. It is a published account of his existing collection, and no next milestone is specified. Readers seeking purchase details would need to check current listings from manufacturers, dealers or vintage sellers, since the report gives no prices or stock information.
For now, the development is the publication itself: Arslan has shared the stories and personal uses of selected lamps in his house. Any broader conclusions about demand for designer lighting, pricing or the market would require information beyond this report.
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Key Questions
What is the news about Fatih Arslan’s lamps?
Arslan published a first-person tour of selected lamps in his home on Oct. 5, 2026, describing their designers, features and his own experiences with them.
Which lamp designs are included?
The report features the Artemide Tolomeo Mini, Tizio Micro, four Noguchi Akari models, Louis Poulsen PH 5 and PH 3/2 lamps, and an AJ wall lamp by Arne Jacobsen.
Does Arslan say the lamps are worth their prices?
He says they are probably not worth their prices on practical value alone, but are worth it to him as a collector. He also mentions lower-cost designs and vintage sources without providing specific prices.
Where can readers find cheaper alternatives?
Arslan says IKEA and other companies sell similar-looking designs, and that vintage stores or fairs may have the featured lamps for good prices. The report does not identify particular listings or confirm current availability.
Source: hn
